THE CARIBOO TRAIL (1950)
By Ralph Santini - ***
The Cariboo Trail is one the several independent productions that
Randolph Scott was concentrating on at the time and this one is his seventh
western filmed in Cinecolor. This process was apparently adapated in the B-film
industry because it attracted many smaller companies and independent producers
as well. According to the definition on Wikipedia it was “an early subtractive
color-model two color motion picture process, based upon the Prizma system of
the 1910s and 1920s and the Multicolor system of the late 1920s and 1930s. It
was developed by William T. Crispinel and Alan M. Gundelfinger, and its various
formats were in use from 1932 to 1955.” It also denotes that “A bi-pack color
process, the photographer loaded a standard camera with two film stocks, an
orthochromatic strip dyed red, plus a panchromatic strip behind it. The ortho
film stock recorded only blue and green, while its red filtration passed red
light to the panchromatic film stock. In the laboratory, the negatives were
processed on duplitized film and each emulsion was toned red or cyan. While
Cinecolor could produce vibrant reds, oranges, blues, browns and flesh tones,
its renderings of other colors such as bright greens (rendered dark green) and
purples (rendered a sort of dark magenta) were muted.”
Now before I get to tell you
about this movie this is one of my own methods for criticisms, they are usually
more story rather than process related, and I don’t think this film is an exception.
Many Cinecolor films do not seem to be very much valued mainly because of the
format but that might not prevent me from recommending the movie if it goes for
good writing. And this movie I think is one of the best westerns ever filmed in
Cinecolor, mainly because of the effective storyline. It concerns two cattlemen
(Randolph Scott and Bill Williams from TV’s Kit Carson) who with the help of
their Asian sidekick (Lee Tung Foo) dream of having cattle of their own by
attempting to settle at The Cariboo Trail in British Columbia. Suddenly they
learn about a savage Gold Rush going on and they are joined by an old
prospector (George “Gabby” Hayes which was his final cinematic role) with
plenty of bad luck in his life. The bad news is that a ruthless grafter
(Victory Jory, whom you might remember as the merciless Northern overseer from
Gone with the Wind) will stop at nothing to ruin our heroes’ dreams. Jory
orders his men to stampede their cattle leading to Williams’ arm loss and thus
becoming a cold, selfish anti-hero. He begins to hate Scott blaming him for
what happened and goes around with his sleazy conduct with many other people
around him. So Scott all alone with no help from his embittered friend will
have to handle many sacrifices and many difficult ones since Jory owns the town
he arrived. So Scott goes on and on until finding gold with the help of his two
sidekcicks Foo and “Gabby” Hayes.
I know what you are thinking,
this western is far from a masterpiece but as I said before it has a pretty
decent story for this traditional western. I like how the film focuses on
Randolp Scott’s sacrificing adventure with his searching for gold and buying
back his friend Bill Williams after losing his arm. Williams does an effective
job on playing a rare anti-hero role for this traditional oater and I think he
steals every scene he appears. I have never seen such effective character
development and I find that more or less exceptional. I also this is one of
Victor Jory’s less exaggerated villain roles because here he manages to portray
a more suave one rather than just a bloodthirsty cutthroat more or less like in
1939’s Dodge City even though he is
just one the hitmen hired by Bruce Cabot in that film. I mean he is more
dressed like a gentleman unlike his many other westerns which he plays a
villain. Sure there are some clichés added in the film, including a fist fight
between Randolph Scott and a more invinicible villain played Jim Davis and it
only lasts a couple of minutes until Davis is killed, losing the battle but
what really matters in the film is the story about Randolph Scott fighting for
his reconciliation Bill Williams after being amputated resulting from the
stampeding.
The Cariboo Trail is basically one of those westerns to see as
escapist entertainment not necessarily a work of art like some others. I’ve
seen some other Cinecolor westerns, but none of them seem to match the careful
premise of this one. I think you should give it a second look if you don’t seem
to care about it. On the other hand, to each his own but I personally find it
worth seeing for Randolph Scott fans and those like watching westerns a lot and
those who might want to be good experts on Cinecolor’s history.
No comments:
Post a Comment