THE SEA HAWK (1940)
By Ralph
Santini - ****
Ingeniously
fast-paced and remarkably exciting, the 1940 pirate film “The Sea Hawk” is one
the finest of its genre ever. It is the 10th film Errol Flynn made
with director Michael Curtiz on account of their contract with Warner Bros. and
it is another winner all the way along with “Captain Blood” and “The Adventures
Of Robin Hood”, in fact, these three are the top of those 12 films. This time
Flynn is cast as an English privateer whose mission is, in his “own way,
protect and serve the Queen of England”. The plot’s conflict concerns that
during the year 1585 the ruthless King Phillip of Spain wants to occupy England
in order that his country can be the dominant empire of the world and that is
causing heavy caution with Queen Elizabeth of England (an excellent portrayal
by Flora Robson), however Her Majesty refuses to let her navy officials to
build a fleet against because of her concerns with her country’s people.
Although the
film’s title is “The Sea Hawk” which is coincidentally the name of a Rafael
Sabatini novel and it was the basis for other film adaptations by the author
these two works have nothing in common except the title. This is basically an
original screenplay by Seton I. Miller and Howard W. Koch whom the former also
wrote other exciting Errol Flynn’s films (including the definitive swashbuckler
“The Adventures Of Robin Hood”). This film I have to say is just as brilliant
as “The Adventures Of Robin Hood” because, I think, it has the same wit and the
same excitement as that film.
Continuing with
the plot analysis, Phillip (Montagu Love) sends diplomat Don Alvarez (Claude
Rains) as his ambassador to England along with his beautiful niece (Brenda
Marshall) with her maid Martha (Una O’Connor) on a voyage on the Maria Eulelia
with Captain Lopez (Gilbert Roland) in command. Suddenly the ship is assaulted
by an English pirate ship, The Albatross commanded by Captain Geoffrey Thorpe
(Flynn) ordering his men to fire upon the Eulelia after Captain Lopez refuses
to lower his flag, thus leading them to the Spanish ship’s assault and attack
against its Spanish sailors who had captuered English sailors in its galley
ordered by the inquisition. All of this leads from another mission by Thorpe
and his men invading Panama without the Queen’s approval which might become
eventually risky for our heroes. The film was only nominated for four Academy
Awards in 1941 for its best art direction for the Black and White category,
sound recording, special effects and even the extremely memorable score by the
one and only Erich Wolfgang Korngold. It was truly a pity Korngold did not win
the award because the score, I think, is one of the finest in film history. It
identifies the film very well and it defines this witty gem quite perfectly.
What was also unfair was the Oscar® loss for the equally unfaltering art
direction because I found it especially exquisite, particularly for a Black and
White photographed Swashbuckler.
I can’t give away
any spoilers and especially not the ending but I will tell you this, the film
also contains one of the most winning fight scenes ever between Errol Flynn and
Henry Daniell, who plays an English traitor to the Queen of England. It is by
far one of the very best swordfights in a swashbuckler which is one the main
reasons this film is just as incomparable as “The Adventures Of Robin Hood”.
Much like that film, it is a perfect candidate for a tie-in as the finest
swashbuckler ever made.
Everything about
“The Sea Hawk” is great, including the action, the adventure, the humor, the
combat, the romance, the conflict, just about everything. I think this is not
only Errol Flynn’s second finest Swashbuckler but also among one his finest
films ever. It is absolutely compelling and wonderfully inspiring with all the
great talent Hollywood ever used of all time. It is also one of Hollywood’s
best adventures ever told that’ll put its audience in awe. Don’t miss it.
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